"Das Rheingold, WWV 86A: Thus, We Begin in the "Greenish Twilight" of the Rhine" by Richard Wagner, Berliner Philharmoniker, Lorin Maazel was released on May 1, 1988. With this song being about 5 minutes long, at 5:24, "Das Rheingold, WWV 86A: Thus, We Begin in the "Greenish Twilight" of the Rhine" by Richard Wagner, Berliner Philharmoniker, Lorin Maazel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: The "Ring" Without Words (Orchestral Highlights from the Ring Cycle) by Richard Wagner, Lorin Maazel, Berliner Philharmoniker. The song's track number on the album is #1 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Das Rheingold, WWV 86A: Thus, We Begin in the "Greenish Twilight" of the Rhine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86A: Thus, We Begin in the "Greenish Twilight" of the Rhine by Richard Wagner, Berliner Philharmoniker, Lorin Maazel has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Rheingold, WWV 86A: Thus, We Begin in the "Greenish Twilight" of the Rhine being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
Schubert: Symphony No. 9 in C Major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio | Franz Schubert, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 114 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Parsifal, WWV 111: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 115 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM |
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