Rigoletto: Pari Siamo
Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya
Arias
4:00 2003
BPM
84
Key
C Major
Camelot
8B

Embed

Share Link

Rigoletto: Pari Siamo - Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya Information

Acousticness
98%
Danceability
33%
Energy
20%
Instrumentalness
0%
Liveness
53%
Loudness
74%
Speechiness
6%
Valence
4%
Popularity
Loudness
-15.525 dB

Summary

"Rigoletto: Pari Siamo" by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya was released on 2003. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Arias by Wolfgang Amadeus Mozart, Ezio Pinza, Bruno Walter, Metropolitan Opera Orchestra, Wolfgang Amadeus Mozart, Thomas Quasthoff, Wolfgang Amadeus Mozart, Various Artists, Thomas Quasthoff, Bläserensemble des Niederösterreichischen Tonkünstlerorchesters, Maximilian Geller Quartet, Various Artists, Alex Wunder, Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Rigoletto: Pari Siamo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rigoletto: Pari Siamo BPM

The tempo marking of Rigoletto: Pari Siamo by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Rigoletto: Pari Siamo Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Gran Via: Tango de la menegilda - 2006 - Remaster by Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de BurgosLa Gran Via: Tango de la menegilda - 2006 - RemasterJoaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de BurgosE Minor09A83 BPM
La Traviata: La Traviata: "Ah, Fors'è Lui" and "Sempre Libera"Francesco Maria Piave, Giuseppe Verdi, Dame Joan SutherlandF Minor14A84 BPM
La Condesa de la Aguja y el Dedal: La Condesa de la Aguja y el Dedal: "La Madrileña Tiene Tal Arte al Vestir"Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro CalderónF Major17B70 BPM
La forza del destino, Act III, Scene II: Urna fatale del mio destino by Giuseppe Verdi, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio GalliLa forza del destino, Act III, Scene II: Urna fatale del mio destinoGiuseppe Verdi, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio GalliC Minor25A88 BPM
Andrea Chénier, Act IV: Come un bel dì di maggio by Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony OrchestraAndrea Chénier, Act IV: Come un bel dì di maggioUmberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony OrchestraF♯ Minor211A82 BPM
Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a by Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen OrtonMozart: Basta, vincesti… Ah, non lasciarmi, K. 486aWolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen OrtonE♭ Major05B70 BPM
Las Golondrinas, Escena 1ª, II parte: Las Golondrinas, Escena 1ª, II parte: "Niña loca"Coro del Gran Teatro Lírico de BacelonaE♭ Major25B129 BPM
El Rey Que Rabió: El Rey Que Rabió: "Terceto: Mi amor" - RemasteredMiguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta SinfonicaB♭ Major56B116 BPM
Tercer Acte: Duet No és Possible Resistir by Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra SimfònicaTercer Acte: Duet No és Possible ResistirFrancesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra SimfònicaF Major27B85 BPM
Capítulo 38.2 - La casa de gel by Joan PonsCapítulo 38.2 - La casa de gelJoan PonsA Major111B112 BPM
ISRC
ES5300307405
Label
L-M Records/RCA Records

Section: 0.950697660446167

End: 0.9576945304870605