"Rigoletto: Pari Siamo" by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya was released on 2003. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Arias by Wolfgang Amadeus Mozart, Ezio Pinza, Bruno Walter, Metropolitan Opera Orchestra, Wolfgang Amadeus Mozart, Thomas Quasthoff, Wolfgang Amadeus Mozart, Various Artists, Thomas Quasthoff, Bläserensemble des Niederösterreichischen Tonkünstlerorchesters, Maximilian Geller Quartet, Various Artists, Alex Wunder, Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Rigoletto: Pari Siamo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rigoletto: Pari Siamo by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gran Via: Tango de la menegilda - 2006 - Remaster | Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | E Minor | 0 | 9A | 83 BPM | ||
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM | ||
La Condesa de la Aguja y el Dedal: "La Madrileña Tiene Tal Arte al Vestir" | Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro Calderón | F Major | 1 | 7B | 70 BPM | ||
La forza del destino, Act III, Scene II: Urna fatale del mio destino | Giuseppe Verdi, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 0 | 5B | 70 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
El Rey Que Rabió: "Terceto: Mi amor" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 5 | 6B | 116 BPM | ||
Tercer Acte: Duet No és Possible Resistir | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 2 | 7B | 85 BPM | ||
Capítulo 38.2 - La casa de gel | Joan Pons | A Major | 1 | 11B | 112 BPM |
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