Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica's 'Tercer Acte: Duet No és Possible Resistir' came out on May 19, 2015. The duration of Tercer Acte: Duet No és Possible Resistir is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Tercer Acte: Duet No és Possible Resistir's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rosselló - Benejam: Foc i Fum". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Spain. Tercer Acte: Duet No és Possible Resistir is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Tercer Acte: Duet No és Possible Resistir by Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marcia San Paolo nr5 | Soc. Fil. Naz. La Valette | B♭ Major | 6 | 6B | 104 BPM | ||
Sempre Em Jesus Confiarei - Hino CCB | CCB Hinos | F Major | 1 | 7B | 81 BPM | ||
Sant Marti De Canigo | Cobla La Principal De La Bisbal | F Minor | 1 | 4A | 87 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Preludio del Acto II | Anselmo Carreno, Pablo Solozabal, Pablo Sorozábal, Orquesta de Conciertos de Madrid | B♭ Minor | 2 | 3A | 92 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Gigantes y Cabezudos | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | E Major | 4 | 12B | 111 BPM | ||
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "Le ciel est noir, il va pleuvoir" - Quatuor. "Métella !" - Dialogue. "Gardefeu !" (Bobinet, Gontran, Gardefeu, Métella, Chœur) | Jacques Offenbach, Michel Plasson, Choeur Du Capitole De Toulouse, Henri Amiel, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | A♭ Major | 3 | 4B | 111 BPM |
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