Antonio Salieri, Consortium Classicum's 'Axur, Re d'Ormus: IV. Andantino' came out on January 1, 2016. With Axur, Re d'Ormus: IV. Andantino being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Salieri: Harmonie Musiken". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, Axur, Re d'Ormus: IV. Andantino's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Axur, Re d'Ormus: IV. Andantino by Antonio Salieri, Consortium Classicum having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
La locandiera Overture: III. Presto | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 140 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Armida, Atto Terzo Scena 3: Ah misera Regina (Coro, Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur, Teresa Iervolino | B Major | 1 | 1B | 98 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 0 | 5B | 122 BPM | ||
Armida, Atto primo Scena 3: Che periglioso assalto! (Ubaldo, Ismene, coro) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino, Chœur De Chambre De Namur | B♭ Major | 1 | 6B | 131 BPM | ||
Hungarian Dance No.2 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 69 BPM | ||
Concerto for Flute and Oboe in C Major: Allegretto | Antonio Salieri, Anthony Camden, Peter Lloyd, City of London Sinfonia, Nicholas Ward | C Major | 1 | 8B | 119 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 3 | 2B | 98 BPM |
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