"Armida, Atto Terzo Scena 3: Ah misera Regina (Coro, Ismene)" by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur, Teresa Iervolino was released on January 22, 2021. With Armida, Atto Terzo Scena 3: Ah misera Regina (Coro, Ismene) being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Salieri: Armida". In this album, this song's track order is #43. In terms of popularity, Armida, Atto Terzo Scena 3: Ah misera Regina (Coro, Ismene) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Armida, Atto Terzo Scena 3: Ah misera Regina (Coro, Ismene) by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur, Teresa Iervolino having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Symphony in D Major, Op. 18, No. 2: I. Grave - Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 79 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | E♭ Major | 0 | 5B | 115 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Cassazione in C Major: II. Minuetto | Antonio Salieri, Italiano di Fiati | C Major | 0 | 8B | 126 BPM | ||
Symphony No. 1 in D Major, Hob.I:1: I. Presto | Joseph Haydn, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Major | 1 | 10B | 119 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM |
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