Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino, Chœur De Chambre De Namur's 'Armida, Atto primo Scena 3: Che periglioso assalto! (Ubaldo, Ismene, coro)' came out on January 22, 2021. With Armida, Atto primo Scena 3: Che periglioso assalto! (Ubaldo, Ismene, coro) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Salieri: Armida". In this album, this song's track order is #12. Based on our statistics, Armida, Atto primo Scena 3: Che periglioso assalto! (Ubaldo, Ismene, coro)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Armida, Atto primo Scena 3: Che periglioso assalto! (Ubaldo, Ismene, coro) by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino, Chœur De Chambre De Namur having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | C Major | 2 | 8B | 99 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) | Franz Schubert, Gewandhausorchester, Kurt Masur | G Major | 0 | 9B | 85 BPM | ||
Tarare, Acte II, Scène 1, Scène 2: « Seigneur, le grand-prêtre Arthenée » (Urson, Atar) – « Les sauvages d'un autre monde » (Arthenée, Atar) | Antonio Salieri, Jérôme Boutillier, Jean-Sébastien Bou, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset | A Minor | 0 | 8A | 92 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 2. Vivace non troppo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | F Major | 3 | 7B | 132 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 105 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
La passione di Gesu Cristo: Part II: Aria: Ai passi erranti (Maddalena) | Antonio Salieri, Daniela Citino, Maria Teresa Toso, Nikola Yovanovitch, Mario Scardoni, Giovanna Scardoni, Cappella Musicale della Cattedrale di Verona, Alberto Turco | B♭ Major | 2 | 6B | 61 BPM |
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