Johann Sebastian Bach, Nikolaus Harnoncourt, Dietrich Henschel, Concentus Musicus Wien's 'Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein"' came out on January 1, 2001. Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein" is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 65 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein" by Johann Sebastian Bach, Nikolaus Harnoncourt, Dietrich Henschel, Concentus Musicus Wien is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
"Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) | Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 102 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude | Johann Sebastian Bach, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 78 BPM | ||
Orlando Furioso, RV 728, Act I, Scene 10: Sol da te, mio dolce amore | Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Philippe Jaroussky | C Minor | 0 | 5A | 86 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 41 "Des Morgens aber hielten alle Hohepriester" | Johann Sebastian Bach, Anthony Rolfe Johnson, Cornelius Hauptmann, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill | E♭ Minor | 1 | 2A | 90 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Oboe Concerto in D minor S.Z799: 2. Adagio | Alessandro Marcello, Clare Shanks, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 5 | 1A | 117 BPM | ||
Ihr werdet weinen und heulen, BWV 103: Ihr werdet weinen und heulen (Chorus) | Johann Sebastian Bach, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | ||
Concerto a 5 In D Minor, Op.9, No.2 For Oboe, Strings And Continuo: 2. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM |
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