Johann Sebastian Bach, Anthony Rolfe Johnson, Cornelius Hauptmann, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill's 'Matthäus-Passion, BWV 244 / Zweiter Teil: No. 41 "Des Morgens aber hielten alle Hohepriester"' came out on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 41 "Des Morgens aber hielten alle Hohepriester" being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. In terms of popularity, Matthäus-Passion, BWV 244 / Zweiter Teil: No. 41 "Des Morgens aber hielten alle Hohepriester" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 41 "Des Morgens aber hielten alle Hohepriester" by Johann Sebastian Bach, Anthony Rolfe Johnson, Cornelius Hauptmann, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir, Patrick Russill is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit and Magnificat, K. 193: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 113 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 2 | 12A | 117 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Matthäus-Passion, BWV 244, Part II: No. 60, Aria "Sehet Jesus hat die Hand" (Chorus II) | Johann Sebastian Bach, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | D Major | 1 | 10B | 128 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chorus. "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Minor | 2 | 5A | 111 BPM | ||
Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | ||
Gott Hilf Mir, BuxWV 34: Israel, hoffe auf den Herren | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: III. Hark! hark! Each Tree | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Oster Oratorium, BWV 249: III. Duetto e Coro: "Kommt, eilet und laufet" | Johann Sebastian Bach, Jan Kobow, Gotthold Schwarz, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | D♭ Major | 2 | 3B | 184 BPM | ||
Mass in B Minor, BWV 232: Et in unum Dominum | Johann Sebastian Bach, René Jacobs, Hillevi Martinpelto, Bernarda Fink, Akademie für Alte Musik Berlin | F♯ Major | 0 | 2B | 64 BPM |
Section: 0.5572257041931152
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