"Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World)" by Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink was released on June 29, 2010. Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World) appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Strauss: Ein Heldenleben". In this album, this song's track order is #7. Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World) by Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Fantastique, Op.14, H 48: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | C Major | 1 | 8B | 143 BPM | ||
Festliches Präludium, Op. 61, TrV 229 | Richard Strauss, Olivier Latry, Boston Symphony Orchestra, Gewandhausorchester, Andris Nelsons | F Major | 2 | 7B | 83 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Symphony No.2 in E flat, Op.63: 3. Rondo. Presto | Edward Elgar, Staatskapelle Berlin, Daniel Barenboim | G Major | 2 | 9B | 138 BPM | ||
Rimsky-Korsakov : Capriccio espagnol Op.34 : II Variazioni | Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic | F Major | 0 | 7B | 163 BPM | ||
Elektra: Xxvi. Agamemnon hört dich! | Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
L'Oiseau de feu, K010: XVI. Danse infernale de tous les sujets de Kastchei | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | A Minor | 3 | 8A | 81 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM |
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