- BPM
- 88
- Key
- A♭ Major
- Camelot
- 4B
La Bohème, Act I: Che gelida manina - Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma Information
- Acousticness
- 96%
- Danceability
- 24%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 19%
- Loudness
- -17.522 dB
Summary
"La Bohème, Act I: Che gelida manina" by Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma was released on September 20, 2010. With this song being about 5 minutes long, at 5:00, "La Bohème, Act I: Che gelida manina" by Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "The Italian Tenor". In this album, this song's track order is #6. La Bohème, Act I: Che gelida manina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bohème, Act I: Che gelida manina BPM
With La Bohème, Act I: Che gelida manina by Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
La Bohème, Act I: Che gelida manina Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | |
 | La bohème, SC 67: Dunque è proprio finita | Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 2 | 2B | 180 BPM | |
 | Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | |
 | La Bohème / Act 3: "Ohè, là, le guardie!" - "Aprite!" | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM | |
 | Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | |
 | Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | |
 | Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | |
 | 歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より) | スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグ | D Major | 1 | 10B | 80 BPM | |
 | Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Minor | 9 | 1A | 143 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6203823089599609
End: 0.6240956783294678