Leo Slezak's 'Ach Wie So trügerisch, Rigoletto (Oper in 3 Akten) (Auszug)' came out on May 5, 2010. The duration of Ach Wie So trügerisch, Rigoletto (Oper in 3 Akten) (Auszug) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Ach Wie So trügerisch, Rigoletto (Oper in 3 Akten) (Auszug)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 5 out of 22. Based on our statistics, Ach Wie So trügerisch, Rigoletto (Oper in 3 Akten) (Auszug)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ach Wie So trügerisch, Rigoletto (Oper in 3 Akten) (Auszug) by Leo Slezak to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Ach! Pani Marto, mówcie szczerze (Chór/Marta/Grzes) | Stanisław Moniuszko, Chorus And Orchestra Of The Polish National Opera Warsaw, Jacek Kaspszyk | C Major | 2 | 8B | 109 BPM | ||
Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) | Gioachino Rossini, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Auf Der Heide Blühn Die Letzten Rosen | Leo Slezak | E Major | 3 | 12B | 77 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Winterreise, Op. 89, D. 911: No. 5. Der Lindenbaum | Franz Schubert, Leo Slezak, Studio pianist | G Major | 1 | 9B | 106 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM |
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