Leo Slezak's 'Auf Der Heide Blühn Die Letzten Rosen' came out on May 5, 2010. The duration of Auf Der Heide Blühn Die Letzten Rosen is about 3 minutes long, at 3:12. Based on our data, "Auf Der Heide Blühn Die Letzten Rosen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 2 out of 22. Auf Der Heide Blühn Die Letzten Rosen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Auf Der Heide Blühn Die Letzten Rosen by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Charlotte Hoather | A♭ Major | 2 | 4B | 83 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Esci, fuggi, il furor che mi accende" (Arturo, Enrico, Chorus, Raimondo, Lucia, Edgardo, Alisa) | Gaetano Donizetti, Valiano Natali, Anna Maria Canali, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Dame Blanche: Viens, gentille Dame (Recorded 1905) | François-Adrien Boieldieu, Leo Slezak | E♭ Major | 1 | 5B | 82 BPM | ||
6 Lieder, Op. 17, TrV 149: No. 2. Standchen | Richard Strauss, Leo Slezak, Studio pianist | F♯ Major | 2 | 2B | 81 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM |
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