Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German)
Gioachino Rossini, Leo Slezak
Leo Slezak (1902-1931)
2:24 January 4, 2011
BPM
172
Key
E Major
Camelot
12B

Embed

Share Link

Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) - Gioachino Rossini, Leo Slezak Information

Acousticness
100%
Danceability
24%
Energy
14%
Instrumentalness
8%
Liveness
37%
Loudness
68%
Speechiness
5%
Valence
10%
Popularity
Loudness
-19.33 dB

Summary

"Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German)" by Gioachino Rossini, Leo Slezak was released on January 4, 2011. The duration of Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Leo Slezak (1902-1931)" album is number 7 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) BPM

We consider the tempo marking of Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) by Gioachino Rossini, Leo Slezak to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.

Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Una furtiva lagrima"Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard BonyngeB♭ Major16B166 BPM
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the FieldsHandel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla HornpipeGeorge Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the FieldsD Major210B115 BPM
Pagliacci / Act 1: Pagliacci / Act 1: "Recitar!...Vesti la giubba"Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoE Minor49A81 BPM
Il Barbiere di Siviglia: In somma, mio signore, chi è lei by Gioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Lily Pons, Alberto EredeIl Barbiere di Siviglia: In somma, mio signore, chi è leiGioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Lily Pons, Alberto EredeD Major210B80 BPM
Ruslan and Ludmila: Overture by Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny SvetlanovRuslan and Ludmila: OvertureMikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny SvetlanovF Major37B81 BPM
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! by Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeLa fille du régiment / Act 1: Ah! mes amis, quel jour de fête!Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeE♭ Major35B82 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriIl Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro)Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriE Major112B109 BPM
Persian March, Op. 298 by Johann Strauss II, Vienna Volksoper Orchestra, Peter FalkPersian March, Op. 298Johann Strauss II, Vienna Volksoper Orchestra, Peter FalkG Minor36A178 BPM
Symphony No. 4 in A Major, Op. 90 Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. SaltarelloFelix Mendelssohn, Freiburger Barockorchester, Pablo Heras-CasadoE Minor19A100 BPM
ISRC
GBAGZ0432907
Label
L-M Records/RCA Records

Section: 0.7621128559112549

End: 0.767404317855835