- BPM
- 73
- Key
- E♭ Major
- Camelot
- 5B
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts - Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas Information
- Acousticness
- 91%
- Danceability
- 7%
- Energy
- 5%
- Instrumentalness
- 92%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -19.366 dB
Summary
"Ives / Orch. Brant: A Concord Symphony: III. The Alcotts" by Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas was released on November 11, 2014. Ives / Orch. Brant: A Concord Symphony: III. The Alcotts is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in San Francisco Symphony, Michael Tilson Thomas's "Masterpieces in Miniature" album is number 6 out of 12. Ives / Orch. Brant: A Concord Symphony: III. The Alcotts is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts BPM
We consider the tempo marking of Ives / Orch. Brant: A Concord Symphony: III. The Alcotts by Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | |
 | Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | |
 | Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | |
 | Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | |
 | D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | |
 | String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | |
 | Schließe mir die Augen beide | Alban Berg, Daniel Hope, Simon Crawford-Phillips | C Major | 0 | 8B | 117 BPM | |
 | Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | |
 | Set No. 2 for Chamber Orchestra: III. Andante "The Last Reader" | Charles Ives, Orchestra New England, James Sinclair | D Major | 3 | 10B | 118 BPM | |
 | Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7780687808990479
End: 0.7821354866027832