Orchestra da Camera Dell'Arte, Luigi Zanetti made "Concerto Grosso Nr. 2, B-Dur, op. 3: III. Allegro" available on September 28, 1998. The duration of Concerto Grosso Nr. 2, B-Dur, op. 3: III. Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Concerto Grosso Nr. 2, B-Dur, op. 3: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra da Camera Dell'Arte, Luigi Zanetti's "Georg Friedrich Händel: Concerto Grosso Nr. 26, No. 2, No. 12 & Halleluja From " The Messiah "" album is number 9 out of 17. Based on our statistics, Concerto Grosso Nr. 2, B-Dur, op. 3: III. Allegro's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto Grosso Nr. 2, B-Dur, op. 3: III. Allegro by Orchestra da Camera Dell'Arte, Luigi Zanetti to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro moderato | Pablo Casals, Orchestre Du Festival De Prades, Yehudi Menuhin | B Minor | 3 | 10A | 77 BPM | ||
Le Carneval ou Masquerade de Versailles: Prelude | Orchestra da Camera Dell'Arte, Luigi Zanetti | C Minor | 2 | 5A | 79 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Flute Sonata in D Major, Op. 2, No. 2: I. Largo | Pietro Locatelli, Il Ruggiero | B Major | 1 | 1B | 108 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Libor Novacek, Czech Chamber Orchestra, Otokar Stejskal | D Major | 2 | 10B | 95 BPM | ||
Trumpet Concerto in D: 2. Allegro moderato | Leopold Mozart, Manuel Blanco, Josep Pons, Orquesta Nacional De España, Eriko Takezawa | D Major | 1 | 10B | 97 BPM | ||
Flute Concerto in G Major, QV 5:174: I. Allegro | Johann Joachim Quantz, Alexandre Magnin, Frank Gassmann, Baroque Strings Zurich | A♭ Minor | 0 | 1A | 119 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM |
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