Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part II. Overture in D major: V. Air: Allegro" available on October 21, 2010. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #14. Based on our statistics, Part II. Overture in D major: V. Air: Allegro's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Part II. Overture in D major: V. Air: Allegro by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: II. Tendrement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | F♯ Minor | 1 | 11A | 175 BPM | ||
Scarlatti, A.: Concerto Grosso No. 2 in C Minor: III. Minueto | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 110 BPM | ||
Concerto In A Minor for Alto Recorder, Two Violins & Basso Continuo: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | A♭ Minor | 1 | 1A | 117 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: III. Cantabile | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: II. Rondeau | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | D Major | 9 | 10B | 110 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VII. Polonaise | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto in F Major, S. 235: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 125 BPM | ||
Concerto grosso in G Minor, Op. 3/2, RV. 578: III. Larghetto | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 80 BPM |
Section: 1.029252052307129
End: 1.0339303016662598