"I. Introduction" by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft was released on November 4, 2022. The duration of I. Introduction is about 3 minutes long, at 3:11. Based on our data, "I. Introduction" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Netzel, Sandström & Tarrodi: Piano Concertos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. In terms of popularity, I. Introduction is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I. Introduction by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 4. Andante con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: I | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Petite pièce, CD 127 (Version for Oboe d'amore and Piano) | Claude Debussy, Heinz Holliger, Anton Kernjak | F Major | 0 | 7B | 79 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 1 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Shaker Loops (version for string orchestra): Hymning Slews | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 83 BPM |
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