- BPM
- 89
- Key
- C Major
- Camelot
- 8B
Cruda Funesta Smania (Lucia Di Lammermoor, Act 1) - Tito Gobbi Information
- Acousticness
- 98%
- Danceability
- 36%
- Energy
- 20%
- Instrumentalness
- 17%
- Liveness
- 10%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 1%
- Loudness
- -15.647 dB
Summary
Tito Gobbi's 'Cruda Funesta Smania (Lucia Di Lammermoor, Act 1)' came out on March 3, 2003. The duration of Cruda Funesta Smania (Lucia Di Lammermoor, Act 1) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Cruda Funesta Smania (Lucia Di Lammermoor, Act 1)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tito Gobbi's "Heroes: Tito Gobbi" album is number 3 out of 16. Cruda Funesta Smania (Lucia Di Lammermoor, Act 1) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cruda Funesta Smania (Lucia Di Lammermoor, Act 1) BPM
We consider the tempo marking of Cruda Funesta Smania (Lucia Di Lammermoor, Act 1) by Tito Gobbi to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Cruda Funesta Smania (Lucia Di Lammermoor, Act 1) Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Simon Boccanegra, Prologue: Allegro moderato | Francesco Maria Piave, Boris Christoff, Gabriele Santini, Giuseppe Campora, Giuseppe Conca, Orchestra Del Teatro Dell'Opera Di Roma, Paolo Caroli, Paolo Dari, Sylvia Bertona, Tito Gobbi, Victoria de los Ángeles, Walter Monachesi | B Major | 2 | 1B | 70 BPM | |
 | Capriccio No. 24 | Neil Black | B♭ Minor | 5 | 3A | 67 BPM | |
 | Le Beau Danube (The Blue/Beautiful Danube) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 0 | 8B | 86 BPM | |
 | Concerto de Varsovie - From "Dangerous Moonlight" | Richard Addinsell | E Major | 1 | 12B | 68 BPM | |
 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 1 | 7A | 144 BPM | |
 | Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | |
 | Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | |
 | Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.672360897064209
End: 0.6766011714935303