"Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati" by Francesco Cilea, Dame Joan Sutherland, Welsh National Opera Orchestra, Richard Bonynge was released on January 1, 2001. The duration of Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dame Joan Sutherland's "La Stupenda - The Supreme Joan Sutherland" album is number 13 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati by Francesco Cilea, Dame Joan Sutherland, Welsh National Opera Orchestra, Richard Bonynge to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527: Mi tradì quell'alma ingrata | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lorin Maazel | B♭ Major | 1 | 6B | 112 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Tosca / Act I: "Ah! Finalmente!" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 134 BPM | ||
Turandot / Act 3: "Che è mai di me?" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Wandsworth School Boys Choir, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Major | 1 | 8B | 67 BPM | ||
Air des bijoux | Charles Gounod, Anna Moffo, Tullio Serafin | E Major | 1 | 12B | 117 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna | C Major | 2 | 8B | 79 BPM | ||
L'elisir d'amore / Act 1: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
L'elisir d'amore / Act II: "Dell'elisir mirabile" - "E bellissima" | Gaetano Donizetti, Luciano Pavarotti, Dawn Upshaw, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 147 BPM |
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