"Fedora: Amor ti vieta" by Umberto Giordano, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna was released on 1964. With Fedora: Amor ti vieta being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 18 in Amore II - Great Italian Love Arias by Luciano Pavarotti. Fedora: Amor ti vieta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fedora: Amor ti vieta by Umberto Giordano, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?" | Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 83 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Se è vero che ci sei | Biagio Antonacci, Luciano Pavarotti | D♭ Minor | 5 | 12A | 88 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
Rigoletto / Act 2: "Duca, duca!"..."Scorrendo uniti" | Giuseppe Verdi, Christian Du Plessis, John Gibbs, Riccardo Cassinelli, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 120 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM |
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