Manuel Ausensi, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov's 'El Barbero de Sevilla: "Introducción"' came out on February 4, 2013. Since El Barbero de Sevilla: "Introducción" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 15 in El Barbero de Sevilla. Opera en Dos Actos by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, El Barbero de Sevilla: "Introducción" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Barbero de Sevilla: "Introducción" by Manuel Ausensi, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa y el Sauce | Carlos Guastavino, Francisco Silva y Valdés, Teresa Berganza, Juan Antonio Álvarez Parejo | F♯ Minor | 0 | 11A | 72 BPM | ||
Quisiera bailar | Johann Strauss Orchestra | F♯ Major | 4 | 2B | 178 BPM | ||
Rapsodia Hungara N.2 | Franck Pourcel | F Minor | 2 | 4A | 60 BPM | ||
Massenet: Don Quichotte, Act 4: "L'aube bientôt blanchira l'horizon" (Don Quichotte, Dulcinée, Sancho, Pedro, Garcias, Rodriguez, Juan, Les invités) | Jules Massenet, Teresa Berganza, Alain Fondary, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, José van Dam, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | B Minor | 3 | 10A | 141 BPM | ||
La del Soto del Parral (Que Soy la Más Linda) [feat. Gregorio Gil] | Teresa Berganza, Gregorio Gil | D Major | 3 | 10B | 110 BPM | ||
Danza Húngara, No. 5 | Cacho Tirao | A Major | 2 | 11B | 138 BPM | ||
Slawische Tänze, op. 46, Nr. 10 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Minor | 2 | 9A | 104 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
La Calesera: "¡Atrás! ¡Atrás! ¡Nadie ha de osar esas manos de azahares tocar" - Remastered | Emilio Gonzalez Del Castillo, Martínez Román, Francisco Alonso, Manuel Ausensi, Pilar Lorengar, Teresa Berganza, Indalecio Cisneros, Gran Orquesta Sinfonica | D♭ Major | 3 | 3B | 168 BPM | ||
Hace Tiempo Que Vengo Al Taller - La Del Manojo De Rosas | Isabel Penagos, Manuel Ausensi | E Major | 5 | 12B | 123 BPM |
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