"La Calesera: "¡Atrás! ¡Atrás! ¡Nadie ha de osar esas manos de azahares tocar" - Remastered" by Emilio Gonzalez Del Castillo, Martínez Román, Francisco Alonso, Manuel Ausensi, Pilar Lorengar, Teresa Berganza, Indalecio Cisneros, Gran Orquesta Sinfonica was released on February 15, 1955. With La Calesera: "¡Atrás! ¡Atrás! ¡Nadie ha de osar esas manos de azahares tocar" - Remastered being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emilio Gonzalez Del Castillo, Martínez Román, Francisco Alonso, Various Artists, Indalecio Cisneros, Gran Orquesta Sinfonica's "La Zarzuela: La Calesera" album is number 10 out of 16. On top of that, Spain appears to be the country where this track was created. The popularity of La Calesera: "¡Atrás! ¡Atrás! ¡Nadie ha de osar esas manos de azahares tocar" - Remastered is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Calesera: "¡Atrás! ¡Atrás! ¡Nadie ha de osar esas manos de azahares tocar" - Remastered by Emilio Gonzalez Del Castillo, Martínez Román, Francisco Alonso, Manuel Ausensi, Pilar Lorengar, Teresa Berganza, Indalecio Cisneros, Gran Orquesta Sinfonica to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dúo de Maruxa y Pablo, Pt. 2 | Ofelia Nieto, Carlos Galeffi | A Major | 5 | 11B | 113 BPM | ||
Modistilla de la Florida | Lolita Sevilla | B Minor | 4 | 10A | 121 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
13. Lords, it may not be | Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, Alan Styler, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 3 | 6B | 109 BPM | ||
Verdi: Nabucco, Act 3: Coro di schiavi ebrei. "Va pensiero, sull'ali dorate" (Excerpt) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | B Major | 4 | 1B | 63 BPM | ||
La Gran Via: Tango de la menegilda - 2006 - Remaster | Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | E Minor | 0 | 9A | 83 BPM | ||
Katiuska: Cosacos de kazán | Pablo Sorozábal | C Major | 6 | 8B | 143 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
La Condesa de la Aguja y el Dedal: "La Madrileña Tiene Tal Arte al Vestir" | Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro Calderón | F Major | 1 | 7B | 70 BPM |
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