Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, Alan Styler, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey's '13. Lords, it may not be' came out on January 1, 1960. With this song being about 5 minutes long, at 4:39, "13. Lords, it may not be" by Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, Alan Styler, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 14 out of 28. In terms of popularity, 13. Lords, it may not be is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 13. Lords, it may not be by Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, Alan Styler, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I've Got a Little List (from "The Mikado") | William Schwenck Gilbert, Arthur Sullivan, Donald Adams, James Walker, Royal Philharmonic Orchestra | F Minor | 2 | 4A | 82 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM | ||
The Mikado: The flowers that bloom in the spring, tra-la | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 174 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
The Pirates of Penzance: Stay, We Must Not Lose Our Senses | Philip Creasy | C Major | 1 | 8B | 59 BPM | ||
Benatzky & Stolz: Im weißen Rößl: "Mein Liebeslied muss ein Walzer sein" (Doktor Siedler, Ottilie) | Ralph Benatzky, Robert Stolz, Diana Damrau, Jonas Kaufmann, Ernst Theis, Das Münchner Rundfunkorchester | C Major | 2 | 8B | 92 BPM | ||
28. The criminal cried as he dropp'd him down | Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 1 | 12B | 69 BPM | ||
Emmeline: Act Two: "I know nothing" | Santa Fe Opera | B♭ Minor | 1 | 3A | 67 BPM |
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