Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash made "28. The criminal cried as he dropp'd him down" available on January 1, 1973. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 8 out of 37. 28. The criminal cried as he dropp'd him down is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 28. The criminal cried as he dropp'd him down by Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
Die Zauberflöte, K.620 / Act 1: O zittre nicht...Ist's auch denn Wirklichlkeit | Wolfgang Amadeus Mozart, Erika Miklósa, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 120 BPM | ||
You'll Never Walk Alone | Renée Fleming | C Major | 2 | 8B | 79 BPM | ||
Camelot: The Seven Deadly Virtues | Frederick Loewe, Roddy McDowall, Franz Allers | A Minor | 3 | 8A | 135 BPM | ||
Camelot: Fie on Goodness | Frederick Loewe, The Camelot Ensemble, Franz Allers | E♭ Major | 4 | 5B | 78 BPM | ||
Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 2 | 3B | 109 BPM | ||
Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | ||
Many Moons Ago | Mary Rodgers, Harry Snow | G Major | 1 | 9B | 138 BPM | ||
HMS Pinafore: My Gallant Crew / I Am the Captain of the Pinafore | New D'Oyly Carte Opera, Tom McVeigh | E Major | 4 | 12B | 105 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM |
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