Le Concert Des Nations, Jordi Savall made "Les Musiques Royales De 1643 À 1650: "A L'Impero D'Amore" (Sarabande) (Philidor)" available on January 1, 2002. The duration of Les Musiques Royales De 1643 À 1650: "A L'Impero D'Amore" (Sarabande) (Philidor) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Les Musiques Royales De 1643 À 1650: "A L'Impero D'Amore" (Sarabande) (Philidor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Le Concert Des Nations, Jordi Savall's "L'Orchestre De Louis XIII" album is number 36 out of 36. Les Musiques Royales De 1643 À 1650: "A L'Impero D'Amore" (Sarabande) (Philidor) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Les Musiques Royales De 1643 À 1650: "A L'Impero D'Amore" (Sarabande) (Philidor) by Le Concert Des Nations, Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Gagliarda | Giorgio Mainerio, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 2 | 5B | 176 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | ||
Maddalena ai piedi di Cristo: No. 47 Aria Maddalena, "Per il mar del pianto mio" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Orchestre de la Schola Cantorum Basiliensis | B Minor | 0 | 10A | 128 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie (Transc. for Trumpet and Orchestra) | Johann Sebastian Bach, Maurice André, Franz Liszt Chamber Orchestra, Budapest, Sandor Frigyes, Franz Liszt Chamber Orchestra | B Minor | 4 | 10A | 121 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder) | Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 6 | 1A | 123 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM |
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