Handel, J Vyvyan, T Hemsley, H Watts, L Dutoit, E Thorborg, The Copenhagen Boys Choir, H Handt, Vienna Symph Orch, M Wöldike made "Saul, HWV53: 13. Recitative: Racked with infernal pains; Air: O Lord, whose mercies numberless; Symphony" available on February 19, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 121 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Saul, HWV53: 13. Recitative: Racked with infernal pains; Air: O Lord, whose mercies numberless; Symphony is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Saul, HWV53: 13. Recitative: Racked with infernal pains; Air: O Lord, whose mercies numberless; Symphony by Handel, J Vyvyan, T Hemsley, H Watts, L Dutoit, E Thorborg, The Copenhagen Boys Choir, H Handt, Vienna Symph Orch, M Wöldike is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Overture Largo-allegro-largo | Handel, Heather Harper, ECO/Somary, Alexander Young, Helen Watts, John Shirley-Quirk | G Minor | 2 | 6A | 93 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | B♭ Major | 1 | 6B | 75 BPM | ||
Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM | ||
Music for the Royal Fireworks, HWV 351 (La Paix) | Handel, St. Petersburg Chamber Orchestra | D Major | 6 | 10B | 114 BPM | ||
Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative: Thus, long ago; Chorus: At last divine Cecilia came | Handel, Honor Sheppard, Max Worthley, Maurice Bevan, Oriana Concert Orchestra, Alfred Deller, Oriana Concert Choir | B♭ Major | 4 | 6B | 109 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM |
Section: 0.6051199436187744
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