"Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti was released on January 1, 1991. With this song being about 5 minutes long, at 5:25, "Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 18 in Albinoni: 6 Oboe Concertos by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, Maria Teresa Garatti, I Musici. Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Concerto a 5 in G Major, Op. 9, No. 6: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | G Major | 4 | 9B | 112 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Premiere Suite de Symphonies: Rondeau | Jean-Joseph Mouret, Richard Kapp, Philharmonia Virtuosi of New York, Philharmonia Virtuosi | D Major | 4 | 10B | 81 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM |
Section: 0.6889503002166748
End: 0.6950209140777588