"Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug"" by Alban Berg, Hildegard Behrens, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. The duration of Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug" is about 3 minutes long, at 3:05. Based on our data, "Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. In terms of popularity, Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug" by Alban Berg, Hildegard Behrens, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dutilleux: Cello Concerto (Tout un monde lointain): II. Regard [Extrêmement calme] | Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris | A Major | 1 | 11B | 89 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Mercure, Scene 2: Bain des Grâces | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | A♭ Major | 0 | 4B | 170 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt" | Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 83 BPM | ||
Turangalîla Symphonie: 4. Chant d'amour 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 71 BPM | ||
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
3 Pieces for Orchestra, Op. 6: No. 3, Marsch | Alban Berg, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 3 | 6B | 122 BPM | ||
Gurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die Sonne | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan Rozehnal | E Major | 3 | 12B | 89 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM |
Section: 0.7638075351715088
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