Leonard Bernstein, Adolph Green, London Symphony Orchestra, London Symphony Chorus's 'Candide / Act I: 8. Dear Boy' came out on January 1, 1991. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 8. Dear Boy's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 8. Dear Boy by Leonard Bernstein, Adolph Green, London Symphony Orchestra, London Symphony Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide / Act II: 22. The Ballad Of Eldorado | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra, London Symphony Chorus, Simon Joly | F♯ Major | 1 | 2B | 133 BPM | ||
Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | A♭ Major | 2 | 4B | 98 BPM | ||
Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 140 BPM | ||
La Bohème / Act 3: "Ohè, là, le guardie!" - "Aprite!" | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM | ||
HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
Candide / Act II: 26. Money, Money, Money | Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra | D Major | 0 | 10B | 83 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1b, Marche de salon | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 117 BPM | ||
Carmen (1997 - Remaster), Act III: C'est des contrebandiers....Air de Micaëla:Je dis, que rien ne m'épouvante | Georges Bizet, Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 1 | 5B | 86 BPM | ||
Carnival of the Animals: II. Hens and Cocks | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 88 BPM |
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