Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's ' "Ariane et Bacchus, Prologue: Gigue" was released on its scheduled release date, March 17, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 7 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Prologue: Gigue is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Ariane et Bacchus, Prologue: Gigue by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bocanne primitive | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 103 BPM | ||
Planctus Caravaggio I (Jordi Savall) | Sergi Casademunt, Fahmi Alqhai, Riccardo Minasi, Jordi Savall, F. Heumann, Andrew Lawrence-King, Luca Guglielmi, Xavier Puertas | G Minor | 0 | 6A | 171 BPM | ||
Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Lise Viricel, Maud Gnidzaz, Le Concert Des Nations | B♭ Minor | 1 | 3A | 60 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Concert À Deux Violes Esgales "Le Retour" (Sainte-Colombe) | Jordi Savall | D♭ Major | 0 | 3B | 86 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM |