Jacques Offenbach, Lucrezia Bori, Lawrence Tibbett, Roasario Bourdon, Victor Orchestra's 'Les contes d'Hoffmann: Barcarolle (Recorded 1927)' came out on January 1, 2006. The duration of Les contes d'Hoffmann: Barcarolle (Recorded 1927) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Les contes d'Hoffmann: Barcarolle (Recorded 1927)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's "Lucrezia Bori in Opera and Song" album is number 27 out of 43. Les contes d'Hoffmann: Barcarolle (Recorded 1927) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les contes d'Hoffmann: Barcarolle (Recorded 1927) by Jacques Offenbach, Lucrezia Bori, Lawrence Tibbett, Roasario Bourdon, Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM | ||
Gaîté Parisienne: Cancan | Jacques Offenbach, Leonard Bernstein, New York Philharmonic | D Major | 7 | 10B | 87 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Gaite Parisienne (after J. Offenbach): 8.Valse lente | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 1 | 10B | 68 BPM |
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