Bonaventura Bottone, Eric Idle, Lesley Garrett's ' "The Mikado: Here's a How-De-Do" was released on its scheduled release date, 1999. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Mikado (English National Opera Cast Recording)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Mikado: Here's a How-De-Do is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Mikado: Here's a How-De-Do by Bonaventura Bottone, Eric Idle, Lesley Garrett having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
Peter and the Wolf, Op. 67: VI. The Wolf | Wiener Opernorchester | E♭ Major | 0 | 5B | 125 BPM | ||
Don't Forget the Lilac Bush (Finale) | Angela Hickey, Blythe Duff, Bonaventura Bottone, Meriel Dickinson | D Minor | 2 | 7A | 84 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Dante, Acte IV: No. 32, Scène "C’est moi que l’on appelle" | Benjamin Godard, Véronique Gens, Rachel Frenkel, Munich Radio Orchestra, Ulf Schirmer | G Major | 1 | 9B | 81 BPM | ||
Love for a Goddess | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
The Mikado: Finale Act One | Bonaventura Bottone, Deborah Rees, Gareth Jones, Thora Ker | A♭ Major | 0 | 4B | 89 BPM | ||
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 1 (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 2 | 4B | 121 BPM |