"Ave Regina Coelorum" by Capella Cracoviensis was released on January 1, 2009. With Ave Regina Coelorum being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Spiewy dla chwaly Bozej". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Poland. Based on our statistics, Ave Regina Coelorum's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Regina Coelorum by Capella Cracoviensis having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Germanico in Germania / Act 2: "Or ch’arde l’aspra e sanguinosa pugna" | Nicola Porpora, Dilyara Idrisova, Julia Lezhneva, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus | F♯ Major | 3 | 2B | 85 BPM | ||
Ino, TWV 20:41: Ino, TWV 20:41: No. 3c, Recitativo "Mitleidiger Retter! Was hilft mir mein Leben?" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: III. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Ouverture-Suite in C Major, TWV 55:C6: IV. Bourrée en trompette | Georg Philipp Telemann, Karlsson Barock, Goran Karlsson | B Major | 7 | 1B | 108 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: V. Exaudiet illum de caelo sancto suo | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Il Giardino d'Amore: Più non m'alletta e piace (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá | F♯ Minor | 1 | 11A | 98 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che fiero momento" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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