"The Creation {Excerpt} : Soloist With Chorus" by Irmgard Seefrid, Richard Holm, Kim Borg was released on October 1, 2012. Since The Creation {Excerpt} : Soloist With Chorus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 36 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. In terms of popularity, The Creation {Excerpt} : Soloist With Chorus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Creation {Excerpt} : Soloist With Chorus by Irmgard Seefrid, Richard Holm, Kim Borg is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Gloria - Allegro (Di Molto) | Matthews, Munoz, Butterfield, Jeffrey Thomas, Arnold, American Bach Soloists | B♭ Major | 2 | 6B | 83 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Air and Chorus. "Now Vanish Before the Holy Beams" (Uriel, Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Mass No. 2 in G Major, D. 167: Gloria: Domine Deus | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Requiem, Sanctus: I. Sanctus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | B♭ Major | 0 | 6B | 136 BPM | ||
Hör mein Bitten, WoO 15 | Felix Mendelssohn, Julia Hamari, Ensemble '76 Stuttgart, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 2 | 5B | 101 BPM | ||
Missa Brevis In B Flat Major Kv 275: Credo | Nicol Matt, Gabriele Wunderer, Anja Bittner, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Manfred Bittner, Robert Morvaj, Reinhard Geller, Jens Wollenschläger, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 93 BPM | ||
Requiem Mass: I. Introitus: Requiem aeternam | José Maurício Nunes Garcia, Paul Freeman, Helsinki Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM |
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