"Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo" by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations was released on December 22, 2023. The duration of Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo is about 3 minutes long, at 3:20. Based on our data, "Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 27 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | E♭ Major | 0 | 5B | 75 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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