"Symphony No.5 in D minor: IV. Allegro non troppo" by Pro Musica Orchestra, Vienna, Jascha Horenstein was released on March 30, 2010. Since Symphony No.5 in D minor: IV. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Soviet Classics (Standing Ovation Series)". In this album, this song's track order is #4. Based on our statistics, Symphony No.5 in D minor: IV. Allegro non troppo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.5 in D minor: IV. Allegro non troppo by Pro Musica Orchestra, Vienna, Jascha Horenstein having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' | Walter Berry, Pro Musica Orchestra, Wilma Lipp, Vienna Oratorio Chorus, Christa Ludwig, Murray Dickie | C Major | 3 | 8B | 119 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Oboe Concerto in C minor, TWV 51:c1: 2. Allegro | Georg Philipp Telemann, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | B♭ Major | 2 | 6B | 123 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
String Quartet No. 3 in D Major, Op. 18: IV. Presto | Ludwig van Beethoven, Narratio Quartet | D Major | 1 | 10B | 103 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Trio: II. Andante cantabile | Anton Diabelli, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
String Quartet No. 2 in G Major, Op. 18: I. Allegro | Ludwig van Beethoven, Narratio Quartet | D Major | 1 | 10B | 86 BPM | ||
Concerto a 5 in D Minor, Op. 5, No. 7: III. Allegro | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: I. Allegro moderato | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | E Major | 1 | 12B | 119 BPM |
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