String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo) - Antonín Dvořák, Prague String Quartet Information

Acousticness: 90%
Danceability: 35%
Energy: 14%
Instrumentalness: 79%
Liveness: 11%
Loudness: 68%
Speechiness: 4%
Valence: 16%
Popularity: 6%
Loudness: -19.231 dB

Summary

"String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo)" by Antonín Dvořák, Prague String Quartet was released on January 1, 1977. String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo) is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 4 out of 71 in Dvorák: The String Quartets by Antonín Dvořák, Prague String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo) BPM

The tempo marking of String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo) by Antonín Dvořák, Prague String Quartet is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

String Quartet No. 12 in F Major, Op. 96, B. 179 "American": IV. Finale (Vivace ma non troppo) Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Five Pieces For Two Violins and Piano: I. Prelude	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	G Major	0	9B	85 BPM
Carnival of the Animals, R. 125: XIII. The Swan	Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	79 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse	Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti	B♭ Major	2	6B	102 BPM
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto	Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan	A Major	0	11B	157 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo	Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark	G Major	1	9B	93 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, Cleveland Orchestra	A Major	2	11B	108 BPM

ISRC: DEF057300114
Label: L-M Records/RCA Records

Section: 0.581315279006958

End: 0.5855965614318848