"7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10)" by Dmitri Shostakovich, Lawrence Power, Simon Crawford-Phillips had its release date on January 27, 2012. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Shostakovich: Viola Sonata; Pieces from The Gadfly; 7 Preludes, Op. 34". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. 7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10) by Dmitri Shostakovich, Lawrence Power, Simon Crawford-Phillips having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7 in B Minor | Gabriel Fauré, Đinh Hoài Xuân, Lưu Hồng Quang | E Minor | 3 | 9A | 102 BPM | ||
Romance for Violin and Orchestra in A Major, Op. 29 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | D Major | 1 | 10B | 57 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Mosow-Cheryomushki, Op. 105, Act I Scene 1: Boris's Aria. That's nice! (Sergey, Boris) | Dmitri Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Herman Apaikin, Anatoly Lochak | E♭ Minor | 1 | 2A | 64 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 2 | 7B | 96 BPM | ||
來自依帕內瑪的女孩 | 最好的時光三重奏 | D Minor | 3 | 7A | 82 BPM | ||
Salut d'Amour | Edward Elgar, Duo Arnicans | C Major | 2 | 8B | 74 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
The New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM |