Tomás Bretón, LOM Piano Trio's 'Piano Trio in E Major: III. Allegro molto' came out on August 26, 2008. Since Piano Trio in E Major: III. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Breton, T.: Piano Trio in E Major / 4 Spanish Pieces (Lom Piano Trio) by Tomás Bretón, LOM Piano Trio. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Piano Trio in E Major: III. Allegro molto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Trio in E Major: III. Allegro molto by Tomás Bretón, LOM Piano Trio is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Viva il vino spumeggiante" | Pietro Mascagni, Luciano Pavarotti, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 4 | 9B | 91 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Por ser la Virgen de la Paloma (Seguidillas) | Tomás Bretón, Richard de la Vega, Jarvis Conservatory | E Major | 10 | 12B | 143 BPM | ||
Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
El Gato Montés (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | C Major | 5 | 8B | 117 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | ||
La Rosa del Azafrán: Nocturno: "Hoy Es Sábado y No Quiero" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM |
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