"Symphony in C: 1. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I" by Igor Stravinsky, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1988. Symphony in C: 1. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Stravinsky: Symphony in C; Symphony of Psalms; Concerto in D". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony in C: 1. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony in C: 1. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I by Igor Stravinsky, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, K012, Scene IV: Peasant with Bear (1947 Version) - Live | Igor Stravinsky, Ural Philharmonic Orchestra, Dmitry Liss | C Major | 1 | 8B | 100 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: II. Allegretto furioso (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | G Major | 0 | 9B | 69 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5a. Songe d'une nuit du Sabbat - Larghetto - Allegro | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
Fountains Of Rome, P. 106: 3. The Trevi Fountain At Midday | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 105 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM |
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