"Sarlatan / Act 1: Oh, monsieur Pustrpalk!" by Pavel Haas, Jitka Svobodova, Vladimir Chmelo, Prague State Opera Orchestra, Israel Yinon was released on June 29, 1998. Since Sarlatan / Act 1: Oh, monsieur Pustrpalk! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pavel Haas, Israel Yinon, Anda-Louise Bogza, Jaroslav Brych, Vladimir Chmelo, Miroslav Svejda, Leo Marian Vodička, Ladislav Mlejnek, Jan Jezek, Prague Philharmonic Chorus, Prague State Opera Orchestra's "Haas: Sarlatan" album is number 4 out of 29. Sarlatan / Act 1: Oh, monsieur Pustrpalk! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sarlatan / Act 1: Oh, monsieur Pustrpalk! by Pavel Haas, Jitka Svobodova, Vladimir Chmelo, Prague State Opera Orchestra, Israel Yinon to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarlatan / Act 2: Obcané! At' zije nejvetsí muz naseho veku | Pavel Haas, Ales Hendrych, Miroslav Svejda, Jan Markvart, Vladimir Chmelo, Prague Philharmonic Chorus, Prague State Opera Orchestra, Israel Yinon | B♭ Major | 4 | 6B | 89 BPM | ||
Ouverture, Pt. 1 | Hubert Evin, Guillaume Barli, Robin Aubertin, Francois Seillier | G Major | 3 | 9B | 101 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Spring Nocturne | Frederick Laurence, Anna Tilbrook, Jack Liebeck | E Minor | 0 | 9A | 97 BPM | ||
4 Songs on Chinese Poetry: No. 2, V bambusovém háji | Pavel Haas, Karel Berman, Alfred Holeček | C Major | 2 | 8B | 99 BPM | ||
Suite for Oboe and Piano, Op. 17: I. Furioso | Pavel Haas, Viola Wilmsen, Kimiko Imani | A♭ Minor | 1 | 1A | 171 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM |
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