"4 Songs on Chinese Poetry: No. 2, V bambusovém háji" by Pavel Haas, Karel Berman, Alfred Holeček was released on January 1, 1991. The duration of 4 Songs on Chinese Poetry: No. 2, V bambusovém háji is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 4 Songs on Chinese Poetry: No. 2, V bambusovém háji's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Composers from Theresienstadt, 1941-1945: Works by Pavel Haas & Karel Berman by Karel Berman, Alfred Holeček, Přemysl Charvát. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 4 Songs on Chinese Poetry: No. 2, V bambusovém háji is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Songs on Chinese Poetry: No. 2, V bambusovém háji by Pavel Haas, Karel Berman, Alfred Holeček is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 76 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Altar de cuerda: III. Maya déco | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
Clarinet Sonata, FP 184: I. Allegro tristamente – Très calme – Tempo allegretto | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Uzun İnce Bir Yoldayım | Cihat Aşkın, Mehru Ensari | C Major | 1 | 8B | 93 BPM |
Section: 0.6724390983581543
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