Johann Sebastian Bach, Benedek Horvath made "Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav." available on January 27, 2023. The duration of Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav. is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 32 in Bach: Goldberg Variations (The Fourth Voice) by Johann Sebastian Bach, Benedek Horvath. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav.'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav. by Johann Sebastian Bach, Benedek Horvath is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Overture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 115 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Keyboard Concerto No. 2 in E Major, BWV 1053: I. ? | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | D♭ Minor | 4 | 12A | 178 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM |
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