Charles Villiers Stanford, Peter Jacobs made "Six Characteristic Pieces, Op. 132: VI. Toccata" available on December 13, 2019. With Six Characteristic Pieces, Op. 132: VI. Toccata being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 90 in British Piano Collection Vol. I by Peter Jacobs. Six Characteristic Pieces, Op. 132: VI. Toccata is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Six Characteristic Pieces, Op. 132: VI. Toccata by Charles Villiers Stanford, Peter Jacobs is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Schaffe in mir, Gott, ein rein Herz, Op. 29, No. 2 | Johannes Brahms, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 83 BPM | ||
Libera Me (The Priory School) | Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black | D♭ Major | 0 | 3B | 177 BPM | ||
Fantasy No. 1 in G Minor: II. Andante | Charles Villiers Stanford, Robert Plane, Lucy Gould, Mia Cooper, David Adams, Alice Neary | E♭ Major | 0 | 5B | 87 BPM | ||
Three Songs Of Faith: I Thank You God For Most This Amazing Day | Eric Whitacre, Eric Whitacre Singers | C Major | 1 | 8B | 126 BPM |
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