Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit)' came out on January 1, 2005. The duration of Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 18 out of 37. On top of that, United States appears to be the country where this track was created. Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Hänsel und Gretel: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 84 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 89 BPM | ||
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
8 Slavonic Dances, Op. 46: No. 1 in C (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 3 | 7B | 88 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 82 BPM |
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