Johann Sebastian Bach, David Oistrakh, Georg Fischer, Wiener Symphoniker's 'Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai' came out on January 1, 1962. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 12 in Bach, J.S.: Violin Concertos BWV 1041-1043 by David Oistrakh, Igor Oistrakh, George Malcolm, Georg Fischer, Wiener Symphoniker, Royal Philharmonic Orchestra, Eugene Goossens, Antonio Vivaldi, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai by Johann Sebastian Bach, David Oistrakh, Georg Fischer, Wiener Symphoniker is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 12 In F Major, Op. 96, B. 179 - "American": 2. Lento | Antonín Dvořák, Emerson String Quartet | D Minor | 1 | 7A | 104 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, David Oistrakh, Georg Fischer, Wiener Symphoniker | A Minor | 2 | 8A | 116 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
Winterreise, D.911: 19. Täuschung | Franz Schubert, Mischa Maisky, Daria Hovora | E Major | 0 | 12B | 73 BPM |
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