"Wagner: Rienzi, WWV 49, Act 1 Scene 4: "Erstehe, hohe Roma, neu!" (Rienzi, Cecco, Adriano, Baroncelli, Raimondo, Irene, Chorus)" by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden was released on 1976. Since Wagner: Rienzi, WWV 49, Act 1 Scene 4: "Erstehe, hohe Roma, neu!" (Rienzi, Cecco, Adriano, Baroncelli, Raimondo, Irene, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Rienzi by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden. The song's track number on the album is #10 out of 39 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Wagner: Rienzi, WWV 49, Act 1 Scene 4: "Erstehe, hohe Roma, neu!" (Rienzi, Cecco, Adriano, Baroncelli, Raimondo, Irene, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Rienzi, WWV 49, Act 1 Scene 4: "Erstehe, hohe Roma, neu!" (Rienzi, Cecco, Adriano, Baroncelli, Raimondo, Irene, Chorus) by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Wagner: Rienzi, WWV 49, Act 1 Scene 4: "Erstehe, hohe Roma, neu!" (Rienzi, Cecco, Adriano, Baroncelli, Raimondo, Irene, Chorus) being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1: "Veni creator spiritus" - Live | Gustav Mahler, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, The Choral Arts Society Of Washington, Joe Miller, Scott Tucker | E♭ Major | 4 | 5B | 124 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM | ||
Tannhauser, Act II: Entrance of the Guests | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 1 | 1B | 125 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
The Mountain Thrall, Op. 32 | Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier | A♭ Major | 1 | 4B | 72 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM |
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