Mateo Flecha, Choir of King's College, Cambridge, Stephen Cleobury made "Flecha: Cancionero de Uppsala: No. 46, "Riu, riu, chiu, la guarda ribera"" available on December 1, 2008. The duration of Flecha: Cancionero de Uppsala: No. 46, "Riu, riu, chiu, la guarda ribera" is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Flecha: Cancionero de Uppsala: No. 46, "Riu, riu, chiu, la guarda ribera"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 51 in Christmas At King's by Choir of King's College, Cambridge. Based on our statistics, Flecha: Cancionero de Uppsala: No. 46, "Riu, riu, chiu, la guarda ribera"'s popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Flecha: Cancionero de Uppsala: No. 46, "Riu, riu, chiu, la guarda ribera" by Mateo Flecha, Choir of King's College, Cambridge, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
Dufay: Vergine bella | Guillaume Dufay, David Munrow | A Minor | 1 | 8A | 174 BPM | ||
Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Francesca Lombardi Mazzulli, Cantar Lontano, Marco Mencoboni | D Minor | 0 | 7A | 116 BPM | ||
Tan ta ra ran tan tant, cryes Mars | Thomas Weelkes, Piffaro | B♭ Major | 2 | 6B | 199 BPM | ||
San Sabeya, gugurumbé | Mateo Flecha, Capella de Ministrers, Carles Magraner | G Major | 4 | 9B | 118 BPM | ||
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman | John Dowland, Phantasm, Elizabeth Kenny | F♯ Minor | 1 | 11A | 168 BPM | ||
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Regina Caeli Laetare a 8 | Tomás Luis de Victoria, The Sixteen, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
Miserere a 9: No. 2, Et secundum multitudinem - Amplius lava me | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM |
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