- BPM
- 168
- Key
- F♯ Minor
- Camelot
- 11A
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman - John Dowland, Phantasm, Elizabeth Kenny Information
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 4%
- Loudness
- -22.242 dB
Summary
"Lachrimae or Seven Tears: XX. Mrs Nichols's Alman" by John Dowland, Phantasm, Elizabeth Kenny was released on June 24, 2016. With Lachrimae or Seven Tears: XX. Mrs Nichols's Alman being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 21 in Dowland: Lachrimae or Seven Tears by John Dowland, Elizabeth Kenny, Phantasm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Lachrimae or Seven Tears: XX. Mrs Nichols's Alman is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman BPM
The tempo marking of Lachrimae or Seven Tears: XX. Mrs Nichols's Alman by John Dowland, Phantasm, Elizabeth Kenny is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | |
 | Rondeau in B-Flat Major "Les Bergeries", BWV Anh. 183 (Formerly Attrib. Bach) | François Couperin, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | |
 | Prelude in G Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | F♯ Major | 1 | 2B | 172 BPM | |
 | Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 78 BPM | |
 | La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | |
 | Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | |
 | 7 Fantasies, P. 4-3: No. 3. Farewell, P. 3 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | |
 | Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | |
| Tarleton's Resurrection, P. 59 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | |
 | Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM |
- ISRC
- GBASH1652720
- Label
- L-M Records/RCA Records
Section: 0.4946298599243164
End: 0.500314474105835