"Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song" by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton was released on January 1, 1976. Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #5 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | E♭ Major | 1 | 5B | 134 BPM | ||
Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 112 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
In a Chinese Temple-Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Major | 1 | 10B | 97 BPM | ||
Die Dreigroschenoper: Seeräuberjenny | Kurt Weill, René Kollo, Ute Lemper, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 78 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM |
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